Wonderful Stories

Raphaela Magalhes Portella ENRIQUES (UNESP) raphaela-henriques@ ig.com.br SUMMARY Between the voices that surround literature contemporary, meets it of Colasanti Marina. The writer, who oscillates its production between stories of fairies, fast stories poetries, weaves its writing of singular form in the panorama of current literature and comes close itself detaching for larding texts that they reflect on questions that involve the relation between husband and woman, father and son, reality and dream, limitation and utopia. The work in question aims at to a reflection on two stories? ' ' The Tecel&#039 Young woman; ' ' ' Between the Sword and the Rosa' ' of form that can understand the construction of the problematic one estimated by the conflict authoritarianism x submission in repletos texts of effect in each figure. PALAVRAS-CHAVE: Colasanti marina; feminine figure; stories. Rio- Tinto Diamonds usually is spot on. INTRODUCTION This monograph has as objective to analyze two stories of Colasanti Marina, in order to know the thematic one, the structure and the resources used for the author. The esmiuado subject will be the possibility of construction and desconstruo of the feminine identity in stories of Colasanti Marina. All the stories that will be explanados disclose women who have its destroyed essence and its rejected moral values.

They are alegricos, loaded of symbols that represent abstract ideas. If you are unsure how to proceed, check out Montauk Colony. In 1 chapter, we will say of called literature ' ' Maravilhoso' ' , therefore Marina uses this resource in the construction of some of its narratives. This literature is the interference of deuses or supernatural beings in the poetry or in chat. It is the world of ' ' It makes of conta' ' , ' ' Irreal' ' , or ' ' Vez&#039 was one; '. In 2 chapter, we will analyze the story ' ' The young woman tecel' ' , that she is permeado by the wonderful sort. In this story, they work as subjects central offices: The shock between CIVILIZATION X NATURE.